After a serious fall – or more likely, several serious falls – this Paul Reed Smith ended up on the auction block. Here’s how we rebuilt the headstock and got it ready to rock again for the new owner. – This repair is becoming quite a specialty of Dan’s!

So you broke the headstock off of your nice Paul Reed Smith? No problem, just bring it in and we can reglue it for you. Just make sure you don’t try to slap it together yourself with bondo or plaster or …

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Autographs on a guitar can disappear over time. Here’s how we make sure they don’t.

I’ve got a baseball behind my workbench signed by 1970’s Cubs outfielder Jose Cardinal (my favorite player as a kid.) I don’t play ball with it because I know that autograph would disappear quickly. Baseballs are cheap, so I play ball with another one.

This Schecter Synyster Custom was played onstage and autographed by the members of Avenged Sevenfold. The owner wanted to keep those autographs safe so he had two options: hang it on the wall and never play it OR have us finish over the top of the signatures to keep them protected. He wanted to play it, so we opted to spray a few clear coats of polyurethane over the top. Continue »

This Les Paul looked very different when we were finished with it.

This late 60’s Les Paul Deluxe has had lots of work done to it over the years. Its original P90 or mini-humbucker pickups were removed and replaced with full size humbuckers, it has had mini toggle switches installed and removed, and its original gold top was refinished as a burgundy shaded burst. The current owner discovered that a hairline crack had appeared in the top, extending from below the tailpiece all the way into the neck pickup cavity. He asked us to repair the crack and refinish it to it’s original goldtop color.

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This online auction purchase made a layover at CFW for a body refin, before heading to its new home in France.

The buyer lives in France and the seller lives in Chicago. So before it shipped, the new owner of this vintage Guild Jetstar Bass asked that it be brought here so we could remove a clear refin, and restore its original 3-tone sunburst look.  The trick, was to make the new body finish blend in with the original burst finish still on the neck. Continue »

A great reason to check out estate and garage sales. You never know when you’ll find a 1950’s Epiphone Devon archtop for a song!

Here’s a project with humble beginnings that grew into a full vintage restoration. The owner picked up this very old Epiphone Devon at an estate sale (along with several other groan-worthy items I won’t even tell you about.) It had been rather sloppily stripped and refinished and the binding had entirely peeled off. Initially, we planned only to add the binding to the body and unfortunately didn’t bother to take pictures. So the photos here begin after the new binding was already in place, when the owner decided he’d like it completely refinished to look like it did originally. It was a good decision.

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Sometimes we have to get a little creative with refinishing. Here’s what happens when someone wants an unusual color for their guitar.

We had a couple of unusual projects recently that required some creative work with color. The owners of both this 70’s Fender Precision Bass and a modern Gibson SG knew they wanted to refinish their instruments, but wanted to do something a little more unique than just choosing a standard Fender or Gibson color.  Interestingly, both ended up with colors more reminiscent of  vehicles than other musical instruments. Continue »

In this post, see how we made some ugly previous “repairs” look right and brought a great vintage Gibson back to life.

This 1960 Gibson Les Paul Jr. is a terrific playing and sounding specimen. But it sure didn’t come in looking this great. After the owner picked it up in an auction, he emailed us some rather scary pictures of some truly scary looking “repairs” he hoped we could correct. We assured him we could make it look great and, more importantly, play great again. When it arrived from Florida, we took some deep breaths and assessed the damage. Continue »

Here’s an early 1980’s Greco Super Real Goldtop as it arrived in our shop. Take a look at how we gave it a more authentic and vintage appearance.

The Greco Super Real is one of the more sought-after copies of the Gibson Les Paul. They consistently fetch upwards of $1500 on eBay and in our opinion, outshine many of the more common varieties. It’s got great weight, feel, and sound but the appearance is a little less convincing. The owner of this guitar noticed that it had an orange-hued finish that was clearly not the traditional nitrocellulose lacquer found on Gibson guitars. He asked us to refinish it in nitrocellulose and relic the appearance so that it looks more like a genuine vintage Les Paul.

Those original goldtops got their look from clear lacquer finish applied over bronze powder. Over time, the clear finish would wear thin and ‘check,’  exposing the bronze to arm sweat and the oxygen in the air. As a result, many of these 50+ year old guitars have taken on a greenish appearance in the more heavily worn areas. The Greco’s owner knew this and specifically wanted to see this subtle effect on his guitar – which means simulating fifty years of wear and tear in a brand new finish. You’ll see we were up to the challenge. Continue »

When it rains it pours, and my partner Dan has been up to his elbows in binding repairs this year.  Here, he replaces the dried and crumbling binding from a vintage Gretsch Country Gentleman.

A common problem on vintage Gretsch guitars is the decay and crumbling of the outer celluloid binding strip. Sometimes, owners will opt to leave the cracked binding alone, but in this particular guitar’s case, the owner wanted it repaired. In areas, it was loose enough to be scraped off with a fingernail and in others it needed to be scraped and even chiseled off. We ended up replacing the outer layer entirely, then touching up the nitrocellulose finish.

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Hold on there! Refinish a vintage Gibson? In candy apple red?? There better be a darn good reason to do something like that… and there was.

As mentioned in previous posts, the guitar repairman’s rule of thumb with vintage instruments is to leave it in as close to original condition as possible while still maintaining its playability. In the case of this 1960’s Gibson ES-355TDC, a couple of previous repairs have left it far from its original condition. When it arrived, the most obvious change was that it had been painted white years earlier and that white finish was flaking off in big chunks. A little closer look revealed a headstock repair the likes of which we’ve never seen. Throw in some long ago water damage, cracks in the body, and stains in the wood and the vintage value of the guitar is pretty well gone. You may as well paint it blue; or as the owner of this guitar decided, candy apple red. Continue »