You don’t saw the neck off a 1952 Gibson Les Paul without fully considering WHY one might do such a thing.  Lots of thought and care went into this repair and the outcome made it all worthwhile.

The 1952 Goldtop is where it all began for the Gibson Les Paul. Guitars from this first year of production have an obvious historical importance and, as with all vintage pieces, the conscientious repairman does not make an irreversible alteration to one without just cause. This one was sold to the current owner with full disclosure of some previous repairs to the headstock. Those repairs were well done, solid, and the guitar sounded amazing (vintage P90’s really are something special.) But they simply did not look right and that’s where we come in.  It took heating, sawing, chiseling, filing, and painting to get there, but this is how we made this vintage classic look and perform the way it’s supposed to. Continue »

This is such a cool guitar.  It’s always fun to restore a family treasure like this.

This short-scale National Model 1122 Cosmopolitan has been in the owner’s family for a long time.  He remembers his dad playing it for the family when he was a kid. It had a few odd part replacements through the years and our mission was to find replacements that made it 1. playable again and 2. looking at least close to the way it used to. We should have taken some ‘before’ photos, but among the pieces we had to find were: Continue »

Keep looking folks. There are still great old guitars hiding under beds, in closets, and in basements. This one was abandoned in the basement of an apartment building and while it showed up in rough condition, it went home looking and sounding terrific.

This is one scary looking headstock break. The headstock is completely off the neck and with a close look, you can see that someone attempted to repair it with both glue and wood screws! If you do that glue-up right the first time, there’s no need for the screws (which didn’t hold anyway.) The dry glue poses a problem because it seals the broken cells of the wood, making it impossible for new glue to do that.  And that’s just the beginning… Continue »

This Les Paul looked very different when we were finished with it.

This late 60’s Les Paul Deluxe has had lots of work done to it over the years. Its original P90 or mini-humbucker pickups were removed and replaced with full size humbuckers, it has had mini toggle switches installed and removed, and its original gold top was refinished as a burgundy shaded burst. The current owner discovered that a hairline crack had appeared in the top, extending from below the tailpiece all the way into the neck pickup cavity. He asked us to repair the crack and refinish it to it’s original goldtop color.

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Hang on…something doesn’t look right here.

A neighbor of mine brought us this 1960’s Epiphone Casino that he was thinking about selling. But he was rightfully concerned that a few obvious alterations would make it hard to sell at its full value. The first concern is the out-of-place humbucking pickup that someone installed to replace the original P90. The second concern is the missing pick guard. We helped locate appropriate replacements for both that will make this guitar more valuable and  more true to its original look and sound.

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This online auction purchase made a layover at CFW for a body refin, before heading to its new home in France.

The buyer lives in France and the seller lives in Chicago. So before it shipped, the new owner of this vintage Guild Jetstar Bass asked that it be brought here so we could remove a clear refin, and restore its original 3-tone sunburst look.  The trick, was to make the new body finish blend in with the original burst finish still on the neck. Continue »

This well-worn 1957 Martin 000-18 has definitely earned some ’spa treatment’ – a neck reset, refret, and side crack repairs.

Guitars are meant to be played and enjoyed, so it always makes us smile to see one that has clearly been doing just that. This 1957 Martin 000-18 wouldn’t color its hair to hide the gray; it wears its age proudly.  So we put away the airbrush and the buffing wheel  and focused on getting it structurally stable and playing better than ever. It took a neck reset, refret, and some sealing of cracks to get it there, but the results were worth the effort. Continue »

A great reason to check out estate and garage sales. You never know when you’ll find a 1950’s Epiphone Devon archtop for a song!

Here’s a project with humble beginnings that grew into a full vintage restoration. The owner picked up this very old Epiphone Devon at an estate sale (along with several other groan-worthy items I won’t even tell you about.) It had been rather sloppily stripped and refinished and the binding had entirely peeled off. Initially, we planned only to add the binding to the body and unfortunately didn’t bother to take pictures. So the photos here begin after the new binding was already in place, when the owner decided he’d like it completely refinished to look like it did originally. It was a good decision.

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Sometimes we have to get a little creative with refinishing. Here’s what happens when someone wants an unusual color for their guitar.

We had a couple of unusual projects recently that required some creative work with color. The owners of both this 70’s Fender Precision Bass and a modern Gibson SG knew they wanted to refinish their instruments, but wanted to do something a little more unique than just choosing a standard Fender or Gibson color.  Interestingly, both ended up with colors more reminiscent of  vehicles than other musical instruments. Continue »

In this post, see how we made some ugly previous “repairs” look right and brought a great vintage Gibson back to life.

This 1960 Gibson Les Paul Jr. is a terrific playing and sounding specimen. But it sure didn’t come in looking this great. After the owner picked it up in an auction, he emailed us some rather scary pictures of some truly scary looking “repairs” he hoped we could correct. We assured him we could make it look great and, more importantly, play great again. When it arrived from Florida, we took some deep breaths and assessed the damage. Continue »