Virtual Workbench

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A Word About Changing Tubes

Amp technician Patrick McKeever offers a few thoughts on those mysterious tubes. Most serious guitarists today prefer to use tube amps. People have long struggled to explain just why they sound so much richer and expressive than solid state amps, but to most ears they...

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Times A Changin’

Three years ago, Steve and Dan opened a one-room guitar shop. This summer we doubled the size of  the shop and welcomed two new faces to Chicago Fret Works.  Allow us to introduce Joe Swierupski and Patrick McKeever. This winter, we found ourselves stepping over...

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“Binding” A Les Paul Studio *

*Okay, not really.  Some guitars look like they could use binding, but just wouldn't be worth the expense of adding it.  Here's a different approach that we think turned out great. A customer brought in a new Les Paul 60's Tribute Studio (not this one - we forgot to...

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Wishbass – Musical Folk-Art?

 These two basses launched more conversations than any others that have hung on our walls. We see a lot of interesting guitars around here, but it's pretty rare that we see something we've truly never seen before. But a customer recently brought in two fretless basses...

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Ibanez Refin – None More White

The owner of this Ibanez wanted something a little more unique. See how we added some flair and some sonic power. How much more white could it be? None. None more white. The customer who brought in this white Ibanez RG2EX2 wanted it refinished - in white. Yes it's...

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Vintage Gibson Mandolin – Refret

Seizing the lead in our long-distance-traveler competition, this Vintage Gibson Mandolin arrived from South Africa in desperate need of a good refret. We were more than a little surprised to learn that  this 1930's era Gibson A Style mandolin (which was built a mere...

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